Thesis: Blankets by Craig Thompson and Black Hole by Charles Burns depict how stigma hinders sexual maturity, and a realization of sensuality (aka higher sexuality).
Bascially, I want to write a paper about adolescence and it’s response/affect on sexuality. To support it, I’ll be using Blankets by Craig Thompson and Black Hole by Charles Burns.
(supporting evidence & basic structure after read more)
Absolutely itching to do this…
The big idea behind “Ordeal by Cheque” is to fabricate one’s own story. Graphic novels can often do the same thing by allowing a reader to insert themselves into the novel (as explained in Understanding Comics by Scott McCloud).
So, just for fun, I will insert a story into The Arrival by Shaun Tan.
“The Arrival (of Souls)” – AKA Book of Life*
*where dead people are recorded
The Arrival into the Underworld
The mysterious man is fleeing genocide. Corruption has crept into his world and so, to escape the choking grasp of oppression, he commits suicide.
Speechless. literally speechless.
Not just because it is an exquisite piece of work, but because there is not a single word in it.
“The Arrival” by Shaun Tan manages to capture the immigrant experience by creating a pictorial language in an odd, foreign, semi-futuristic place. Ingenious, and very stunning.
Having a silent novel does two things: Read More
Most of this comic is in a sepia tone. This may be for one of two reasons:
(1) Appeal to Modesty: Christianity prides itself on modesty–for the most part, or at least with the women it does. So a story told from a female perspective, by a Christian would reasonable be more sparsely coloured. By making everything a sort of greyish-sepia instead of colourful, it not only stresses the principle of modesty, but also highlights the key component of the story–divinity. Read More
Due to his Catholic background, perhaps author Gene Luen Yang felt obligated to give a second opinion to the Catholics instead of outright just demonizing them in his previous novel, Boxers.
“As expected, the invader will think it rude for the invaded to retaliate—although that is reasonably what is supposed to happen.”
This page struck me as odd..or more comical.
“Foreign invaders seized our lands…”
“Claimed [the land] for their own!”
And the war has “restored to us [the French] what is rightfully ours.”
Hypocrisy never ceases to amaze me. Read More
Going back to duality…
The Emperor & The Priest
For some reason, there is a shortage of bearded men in this novel. I wonder if it is not coincidence that the priest on page 15, and Little Boa’s warrior incarnation on page 115 look similar.
Beyond their beardedness, both characters are prominent figures in their own movements. Little Boa is in many ways, a disciple of Kung Fu, although this is not exclusively “Christian” language, it does lend some food for thought.
“Until the Lion’s tell their own stories, the tales will always favour the hunters.” (African proverb)
Tu Di Gong (little idol)
Tu Di Gong, the local earth god, is Boa’s beloved figure from his childhood. Not only is the idol a cultural figure, but perhaps a representation of the Emperor who would essentially have just been a figure head under British rule. Regardless, Little Boa adores the idol, adores the Opera, adores Chinese culture. The reverence of this figure is also a foreshadowing of Boa taking on superstition and becoming an icon himself.